![]() The other two worlds Guerrero had to create for “Culture Shock” were the false “Pleasantville” and then the reality of the lab in which the immigrants were being kept. the perspective of an immigrant who knows the culture inside and out, I pitched my heart out, and it was amazing that immediately saw that for me.” I really, really wanted to tackle that story, which is so relevant today. “When I read the script, it was just really refreshing and really exciting. “I felt it in my heart,” Guerrero says of the “Culture Shock” script. She previously directed the short horror film “El Gigante,” which was also a border-crossing-gone-wrong story. Guerrero created three distinct worlds within “Culture Shock,” starting first in Mexico, for which she wanted to “bring a lot of culture.” Guerrero was born and partially raised in Mexico, before moving to Canada in her adolescence. But for “Culture Shock,” she wanted to save more of the visceral horror for the end, focusing first on an increasingly “uncomfortable” feeling as the audience follows Marisol’s struggles to understand what has happened to her just as she is trying to piece everything together. “Actors know, with me, they’re not going home clean,” she says. The horror genre has been Guerrero’s playground of choice for the better part of the last decade, and she shares she normally has a Super Soaker filled with fake blood with her on set. Therefore, Guerrero wanted to lean into the surrealism of genre to allow the audience to “escape the realities and experience the horror that we live in in a different way.”
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |